Kadeem Oak       recent work & exhibitions   curating   photography   print

Décalé at Standalone 160 Dalston Lane Studios, London
curated by Chooc Ly Tan, Kadeem Oak and Leïla Arenou.
Décalé, Spring 2025
Ain Bailey
Willow Swan
Laila Majid & Louis Blue Newby
Larry Achiampong



Pressed Flowers of the Empire  
a Kadeem Oak curated film screening at Somerset House as part their Home Movies series
 
The Work of Kew, c1980 reworked by Kadeem Oak with captioned audio essay by Jonn Gal
Empire of the Swamp, 2023, David Blan
Expedition One: Signs of Empire, 1983, Black Audio Film Collective
Kew and Me, 1944 with audio reflection by Lamin Fofana


Screening Room: Abundance in Togetherness
exhibition curated by Kadeem Oak at Cubitt Gallery
Sweet Sugar Rage, 1985, Sistren Theatre Collective
(L) Home Movie, 2011, Kyrone Oak (R) Undercurrent 528, 2021 Evan Ifeko
Fire in my Belly, 2021 Ayo Akingbade 
Undercurrent 528, 2021 Evan Ifekoya
Sweet Sugar Rage, 1985, Sistren Theatre Collective
Collective Hum, 2019, Black Obsidian Sound System


Décalé at The Yard Theatre London 
curated by Chooc Ly Tan, Kadeem Oak and Leïla Arenou.

petals (Petero Kalule)
Dove/Chris Kirubi & petals
Assia Ghendir
DJ mellowdramictics (B.O.S.S)
Riar Rizaldi    
Dove/Chris Kirubi & petals


Décalé at Ormside Projects London
curated by Chooc Ly Tan, Kadeem Oak and Leïla Arenou.
Jamal Sterrett & Ashley Holmes
Edmund Hardy
Arash Nassiri
Arash nassiri & Saint Abdullah
Ashley Holmes
Flora Yin-Wong
Olukemi Lijadu (Kem Kem)
Chooc Ly Tan



Solidarity Screening at House of Annetta curated by Kadeem Oak and Leïla Arenou
with moving image works of Palestinian filmmakers exploring land practices, ecology and memory 

Wild Plants of Palestine, 2018, Alla Abu Asad
We Have Always Know the Wind’s Direction, 2019, Inas Halabi
31.42’49.5”N35.10’13.9”, 2023, Francis Khamis
Foragers, 2022, Jumana Manna



Hold Hold Fire by Olivia Plender commissioned by Kadeem Oak as part of the Institute of Contemporary Arts London, Artist Moving Image Network

Olivia Plender, Hold Hold Fire, 2019, video, 11 min. 36 sec., still
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